
I first heard Cylob way way back in the Rephlex days with songs like “Cut The Midrange, Drop the Bass” and “Rewind! (Vocal),” both of which can be found on the CYMPLY THE BEST 93-01 compilation along with many other greats. I played the hell out of both on my radio show.
The songs on IN DYSTOPIA feel both similar and far removed from the feeling of those earlier tracks. Here we have songs with unexpected chords and progressions, arpeggiated in lock-step, but also like a sort of free jazz where it feels like anything could happen at any moment. The unifying factor is the dominant use of vocoder, text to speech, and other robot-like vocal effects which, for me at least, are timeless. While I might have a tough time wrapping my head around some of those songs, I’m always drawn in by the vocals. Especially on the album closer “I Achieve Full Freeze” which I’m pretty sure is simply about vocoding. Can relate.











