
The new one from Squarepusher, KAMMERKONZERT, just arrived. I’ve been listening to the download from Bleep since it released a couple weeks ago. This time around we hear Tom Jenkinson (the pusher himself) inhabit an entire jazz orchestra sprinkled with his trademark bass guitar gymnastics, electronic jabs and throbs, frantic drums (both real and programmed) and a full compliment of string, horns, and woodwinds played at a thousand notes per second down to softer, thoughtful, languid interludes. In other words, it’s a Squarepusher record all right. But die-hard fans of his drill & bass style might be disappointed in this much more organic, flowing, modern classical form (see also: ULTRAVISITOR), echoed in the album art that features multiple exposure black and white photos of what seem to be traditional acoustic instruments on a dark and mysterious stage. All very Blue Note Records-esque and it’s obvious that Jenkinson wants this to be considered a recording of a sweaty, intense live performance despite it all coming from just one guy. At times it can come off as a bit of an impenetrable whirlwind, but its mastery of the form is undeniable.
NOTE: This is the first time I’ve ever seen a hidden track on a vinyl record. It’s on Side 1 where after the third track there is a silent locked groove (meaning it will just keep spinning but not moving the needle forward.) But there is a fourth track beyond that that can only be heard by picking up the needle and placing it on the track manually. (You can see the gap in tracks in the photo below.) This hidden track is a short piece a la SOLO ELECTRIC BASS 1.










