Working on a custom paint job for the Cross Bone Gundam Maoh and realizing it’s a bit like the (literally) crazy robot in Hardware, one of my favorite movies. Really. If you like industrial music even a little, you need to see it. It’s kind of beautiful (and kind of bad, but still). I covered “The Order of Death”, the PiL song used in the end credits. It’s in the Endless Compendium.
Got the new album DUNGEON VISION from the New Zealand fuzz rock duo Earth Tongue. Artwork is fantastic (I passed on the super deluxe version) and perfectly reflects the music’s mystical and arcane feel. The amount of power these two infuse into their often dirge-y yet playful classic metal songs is impressive. Their videos are also all spot on and worth checking out.
Working out a new Xero Music logo idea before it slips from my mind.
My wife and I have fallen back into the grip of Gundam/Gunpla building. We more-or-less straight built a few of them decades ago, and this time around we’re learning more about painting and detailed finishes. I have to admit that I don’t enjoy painting nearly as much as building them, but it’s been an interesting new process to learn about at least.
Unsurprisingly I’m drawn to the more esoteric models, like the one pictured here, the XM-X9999 Crossbone Gundam Maoh. Obviously it’s all about the giant shrieking laser skull for me (although at 1/144 scale it’s laughably small.) I have big plans for a completely different paint job, and if it works you’ll see it here first.
I promise this (probably) won’t turn into a gunpla blog. But I do have…a few more waiting in the wings.
“Watercolor, gouache, a wee bit of colored pencil, and the added self-imposed challenge of not using any black.”
A percentage of the proceeds went to the Immigrant Law Center of Minnesota (www.ilcm.org)
Recently received the new 2026 DRONE NOT DRONES t-shirt. According to their site: “ALL PROFITS [GO] TO MINNEAPOLIS legal/rent/resources MUTUAL AID orgs in response to the DHS armed occupation of our city.” That city being Minneapolis and surrounding area. Abolish ICE.
I’ve played at the 28-hour drone festival a couple times over the years. It’s an extraordinary occurrence featuring dozens of participants taking turns playing a small part of one unbroken performance across two days. Recordings of my own sets from 2014 and 2017 are available in THE ENDLESS COMPENDIUM.