
As seen on our cemetery dog walk.

As seen on our cemetery dog walk.


Working.

“Watercolor, gouache, a wee bit of colored pencil, and the added self-imposed challenge of not using any black.”
A percentage of the proceeds went to the Immigrant Law Center of Minnesota (www.ilcm.org)

“Fragmented sounds of a medieval world are channeled through Cannell’s re-interpretion and improvisation on Cello, Violin, and her signature ‘Overbowed’ Violin playing.”

Recently received the new 2026 DRONE NOT DRONES t-shirt. According to their site: “ALL PROFITS [GO] TO MINNEAPOLIS legal/rent/resources MUTUAL AID orgs in response to the DHS armed occupation of our city.” That city being Minneapolis and surrounding area. Abolish ICE.
I’ve played at the 28-hour drone festival a couple times over the years. It’s an extraordinary occurrence featuring dozens of participants taking turns playing a small part of one unbroken performance across two days. Recordings of my own sets from 2014 and 2017 are available in THE ENDLESS COMPENDIUM.




The first time I heard about the album AUTECHRE GUITAR was also the first time I heard about its creator, Shane Parish. This was not a surprise considering I’m not exactly a “guitar guy,” much less a solo acoustic finger-picking style “guitar guy.” I am slightly more familiar with the work of Autechre, and the sheer audacity of the concept made me very excited to hear the result. Interpreting the duo’s challengingly slippery tones and chaotic machine music with nothing more than a single guitar and ten fingers made this my most anticipated album of the year.
In short: it’s mesmerizing. You certainly do not need to be familiar with the source material to quickly understand that Parish is not only a master of the instrument but also incredibly clever with the arrangement. Early copy for the album included the line “This record shouldn’t, strictly speaking, be possible at all.” That’s true, but it does, and we are better off for it.
Two notes: